Basic contrapuntal technique : An Introduction to Linear Style Trough Creative Writing

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Detalles Bibliográficos
Autor Principal: Reed, H. Owen
Otros autores o Colaboradores: Harder, Paul
Formato: Libro
Lengua:inglés
Datos de publicación: New York : Mills Musi, 1964
Temas:
Teoría de la música
Contrapunto
Acceso en línea:Consultar en el Cátalogo
Descripción Física:123 p. ; 27,5 cm.
Tabla de Contenidos:
  • Introduction
  • Chapter 1. The contrapuntual melody
  • Characteristics of Contrapuntual Melodies
  • Melodic Contour
  • The Motivic Beginning
  • Chapter 2. The Unyfing Devices in Melodic Writing
  • Motivic Variation
  • Submotives
  • Repetition
  • The Sequence
  • The Contribution of Rhythm to Melodic Design
  • Unity in Rhytmmic Expression
  • Accentual and Nonaccentual Agreement
  • Chapter 3. The Harmonic Implications of Melodic Writing
  • Harmonic Background
  • Active and Inactive Tones
  • Interaction of Contour, Rhythm, and Harmonic Background
  • Chapter 4. The Fundamental Technique of Two-Part Writing
  • Relative Motion
  • Rhythmic Activity
  • Register
  • Timbre
  • Consonance and Dissonance Defined
  • Consecutive Fifths and Octaves
  • The Harmonic Implications of Two-Part Writing
  • Chord Progression
  • Chord Determination
  • The Cadence
  • Harmonic Rhythm
  • Consonant Intervals in Two-Part Writing
  • General Principles in the Use of Consonance in Two-Part Writing
  • Chapter 5. The Treatment of Dissonant Intervals in Two Part
  • The Passing Tone
  • The Suspension
  • The Chain of Suspensions
  • The Neighboring Tone
  • The Anticipation
  • The Escape Tone
  • The Appoggiatura
  • The Free Tone
  • Ormanental Resolutions
  • Chapter 6. The Process of Canonic Imitation
  • Imitation at the Unison or Octave
  • Imitation at the Fifth
  • Imitation at Other Intervals
  • The Tchnique of Writing Imitative Counterpoint
  • Chapter 7. Pther Types of Canonic Imitation
  • Imitation in Contrary Motion (Inversion)
  • Retrograde Canon
  • Canonic Imitation in Diminution
  • Canonic Imitation in Augumentation
  • Perpetual Canon
  • Spiral Canon
  • Enigma Canon
  • Rounds
  • Concluding Remarks on Imitative Counterpoint
  • Chapter 8. Invertible Counterpoint
  • Invertible Counter´point at the Octave
  • Invertible Counterpoint at the Tenth
  • Invertible Counterpoint at the Twelfth
  • Summary of Rule Governig Invertible Counterpoint
  • Chapter 9. Counterpoint in Three and Four Parts
  • Counterpoint in Three Parts
  • Doubling in Three Parts
  • The Role of Voices in Three-Part Writing
  • Texture
  • Chapter 10. The Basic Elements of Form in Contrapuntual Music
  • Inity and Contrast
  • Organic and Structural Desing
  • Consistency in Chord Relationship, Tonality, and Imitation
  • The Three-Sectional Desing
  • Index
  • Index of Musical Examples

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