Phrasing and Articulation : A contribution to a rhetoric of music with 152 musical examples
Autor Principal: | |
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Otros autores o Colaboradores: | |
Formato: | Libro |
Lengua: | inglés |
Datos de publicación: |
New York :
Norton,
1973
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Series: | The Norton Library
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Temas: | |
Acceso en línea: | Consultar en el Cátalogo |
Descripción Física: | 117 p. ; 19 cm. |
ISBN: | 0393006816 |
Tabla de Contenidos:
- CONTENTS
- PART ONE
- General Backround
- Translator's preface to the Norton Library Edition
- Chapter 1. The problem
- Chapter 2. The Language of Music
- Chapter 3. Fundamentals of pharasing
- - Irregularities in the construction of phrases and phrasing
- - Phrasing through extension
- - The phrasing of larger sections
- Chapter 4. Fundamentals of Articulation
- - The legato
- - The staccato
- - Intermediante gradations
- - The effects of intervals, of non-harmonic tone, of rhythm, of pitch and intensity upon articulation
- Chapter 5. Musical Articulation in the Seventeenth and Eighteenth Centuries
- - The slur
- - Rest, wedge, and dot
- - The non-legato
- Chapter 6. The Construction of Groups through Articulation
- - Slur and beam
- PART TWO
- Phasing and articulation in the works of Bach, Mozart, and Beethoven
- Chapter 7. Phrasing in the music of Johann Sebastian Bach
- Chapter 8. The articulation of the Bach Chamber Music
- - Legato
- - Staccato
- - Non-legato
- - The articulation of grups
- - Grups of three
- Chapter 9. Articulation in the Unmarked Clavier and Organ Music of Bach
- a) Clavier Works
- The Well-Tempered Clavier, Book I
- The Well-Tempered Clavier, Book II
- b) Organ Works
- Chapter 10. Aticulation in the works of Mozart
- Chapter 11. Articulation in the works of Beethoven
- Chapter 12. The nineteenth century
- Bibliography
- Index of names