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|a DAC-M27256
|z DAC007077
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| 040 |
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|a AR-LpBPT
|b spa
|c AR-LpBPT
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| 245 |
0 |
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|a Latin American Theatre Review
|
| 260 |
|
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|a Kansas City :
|b The Center of Latin American Studie
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| 310 |
|
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|a Semestral
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| 505 |
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|a DAC-M27256
|z DAC007077
|a AR-LpBPT
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|a Latin American Theatre Review
|a Kansas City :
|b The Center of Latin American Studie
|a Semestral00
|g T.1968 (2/1)
|t Alyce de Kuehne: La realidad existencial y la realidad creada en Pirandello y Salvador Novo / Institutional Reports / --
|g T.1974 (8/1)
|t Absurdist Theatre in Argentona / A study of Abolicion de la propiedad / Pirandellism in the Theatre of Arlt / Theatrical Renovation in Spanish America / A Mexican-American Theatrical Trupe / Play Analyses of Marqués and Usigli --
|g T.1975 (9/1)
|t Leopoldo Marechal's Antígona Velez / The Ritual Feast: Dramatic Forms / Carballido's Un pequeño día de ira / The Military in Bolivian Government / Fuentes' Todos los gatos son pardos / Buenaventura's los papeles del infierno --
|g T.1976 (9/2)
|t Juan Carlos Ghiano's Narcisa Garay / Coelho Neto and African Culture / René Marqués and Caligula / Lenero's Los albañiles: Novel and play / Two young Brazilian Women Playwrights / Buenaventura's Committed Theatre / Alonso Alegría's plays and Work --
|g T.1971 (5/1)
|t Festival IV in Manizales / Rio and Sao Paulo Theatre in 1970 / Theatre in Guatemala and Costa Rica / Jorge Andrade's Sao Paulo Cycle / Fuentes' todos los gatos son pardos --
|g T.1976 (10/1)
|t Leñero's Documentary Pueblo rechazado / Azevedo's "Teatro a Vapor" Vignettes / Samper's un acalde a la antigua / The theatre of Daniel Gallegos / Insanity and Justicce in Corona de sombra --
|g T.1977 (10/2)
|t A New play by Eg
|
| 286 |
|
|
|g T.1977 (11/1)
|t Usigli's El gesticulador and the fiction of truth / Structural Analysis of Arlt's La isla desierta / La noche de los asesinos: Playscript, Enactment / Brecht and Cordel: Se correr o bicho pega / El caso Dorr: A Study of El agitado pleito / Brazilian Theatre in the XVIII and XIX Centuries --
|g T.1978 (11/2)
|t Los invasores: Theme, Characterization, Structure / Gambaro's information para extranjeros / --
|g T.1979 (12/2)
|t Carballido's El almanaque de Juarez and Mexico in 1968 / Violence in Ibarguengoitia's El atentado / Audience Participation in Hblemos a Calzón quitado / Time, Space and Self in El nuevo paraíso / Interviews with Monti and Sieveking --
|g T.1978 (12/1)
|t René Marqué and the Absurd / A Study of Post-Allende Theatre / Ambivalence in flores de papel / The feminist Image in Colonial Theatre / The Comic Spirit ofthe Grotesco Criollo --
|g T.1970 (3/2)
|t The Evolution of the Loa in Spanish America / La libertad en las manos de Dios / Rodolfo Usigli's Concept of dramatic art / La evolución estilistica del teatro de Aguilera Malta / que pensa vocë da Arte de esquerda? --
|g T.1979 (13/1)
|t Time and Responsibility in Tupac Amaru / The Vanguard Theatr of Pavlovsky / Myth & Language: Todos los gatos son pardos / The Ritualización of Arlt's La fiesta del hierro / Cantón: Interview & Reflections on his Career --
|g T.1980 (13/2)
|t Proceedings of the symposium on Latin American Theatre / Florida International University April, 1979 --
|g T.1980 (14/1)
|t The criollo in Sánchez's Rural Trilogy / The fantastic in Carballido's Las cartas de Mozart / Space and Spectator in a Gambaro play / Surrealism and Grotesque in Ricacardo Monti / Analyses of el juego and la campana / Ideology and Epic Theatre in Santa Juana de América --
|g T.1981 (14/2)
|t Mexico's Willebaldo López on Stage / Analyses of Soluna and los viejos / The theatre of José Antonio Ramos / Maruxa Vilalta's Versatile Theatre / A Bibliographical Guide to Conjunto / An Interview with Enrique Buenaventura / Two Views of Egon Wolff's José --
|g T.1983 (16/2)
|t García Ponce's Catálogo razonado / Conjecture on Wolff's Flores de papel / Two Studies on Elena Garro / Dragún's Distancing Techniques / The loas of Sor Juana Inés / Interviews With Corrieri and Vargas --
|g T.1984 (17/2)
|t Fuentes' Orquídeas a la luz de lz luna / Ritual in las manos de Dios / Studies of Alonso Alegría and Vega Herrera / Isidora Aguirre's Los papeleros / Interview With Sergio Vodanovic --
|g T.1985 (19/1)
|t Ramona: Quintessential Cuban Drama / Symbolic Assassinations in Four Plays / Reconstruction of History in Aguirre's Lautar / Dynamics of Fiction in El beso de la mujer araña / The Consecration of Myth in La Malinche / Theatre Exchanges between Mexico and Spain / Reality and Madness in Arlt´s Play / Interviews With Pavlovsky --
|g T.1986 (20/1)
|t Politics and Structure in El avion negro / Two Plays by Garro and Castellanos / Langu
|
| 595 |
|
|
|g T.1978 (11/2)
|t Los invasores: Theme, Characterization, Structure / Gambaro's information para extranjeros / --
|g T.1979 (12/2)
|t Carballido's El almanaque de Juarez and Mexico in 1968 / Violence in Ibarguengoitia's El atentado / Audience Participation in Hblemos a Calzón quitado / Time, Space and Self in El nuevo paraíso / Interviews with Monti and Sieveking --
|g T.1978 (12/1)
|t René Marqué and the Absurd / A Study of Post-Allende Theatre / Ambivalence in flores de papel / The feminist Image in Colonial Theatre / The Comic Spirit ofthe Grotesco Criollo --
|g T.1970 (3/2)
|t The Evolution of the Loa in Spanish America / La libertad en las manos de Dios / Rodolfo Usigli's Concept of dramatic art / La evolución estilistica del teatro de Aguilera Malta / que pensa vocë da Arte de esquerda? --
|g T.1979 (13/1)
|t Time and Responsibility in Tupac Amaru / The Vanguard Theatr of Pavlovsky / Myth & Language: Todos los gatos son pardos / The Ritualización of Arlt's La fiesta del hierro / Cantón: Interview & Reflections on his Career --
|g T.1980 (13/2)
|t Proceedings of the symposium on Latin American Theatre / Florida International University April, 1979 --
|g T.1980 (14/1)
|t The criollo in Sánchez's Rural Trilogy / The fantastic in Carballido's Las cartas de Mozart / Space and Spectator in a Gambaro play / Surrealism and Grotesque in Ricacardo Monti / Analyses of el juego and la campana / Ideology and Epic Theatre in Santa Juana de América --
|g T.1981 (14/2)
|t Mexico's Willebaldo López on Stage / Analyses of Soluna and los viejos / The theatre of José Antonio Ramos / Maruxa Vilalta's Versatile Theatre / A Bibliographical Guide to Conjunto / An Interview with Enrique Buenaventura / Two Views of Egon Wolff's José --
|g T.1983
|
| 095 |
|
|
|g T.1979 (12/2)
|t Carballido's El almanaque de Juarez and Mexico in 1968 / Violence in Ibarguengoitia's El atentado / Audience Participation in Hblemos a Calzón quitado / Time, Space and Self in El nuevo paraíso / Interviews with Monti and Sieveking --
|g T.1978 (12/1)
|t René Marqué and the Absurd / A Study of Post-Allende Theatre / Ambivalence in flores de papel / The feminist Image in Colonial Theatre / The Comic Spirit ofthe Grotesco Criollo --
|g T.1970 (3/2)
|t The Evolution of the Loa in Spanish America / La libertad en las manos de Dios / Rodolfo Usigli's Concept of dramatic art / La evolución estilistica del teatro de Aguilera Malta / que pensa vocë da Arte de esquerda? --
|g T.1979 (13/1)
|t Time and Responsibility in Tupac Amaru / The Vanguard Theatr of Pavlovsky / Myth & Language: Todos los gatos son pardos / The Ritualización of Arlt's La fiesta del hierro / Cantón: Interview & Reflections on his Career --
|g T.1980 (13/2)
|t Proceedings of the symposium on Latin American Theatre / Florida International University April, 1979 --
|g T.1980 (14/1)
|t The criollo in Sánchez's Rural Trilogy / The fantastic in Carballido's Las cartas de Mozart / Space and Spectator in a Gambaro play / Surrealism and Grotesque in Ricacardo Monti / Analyses of el juego and la campana / Ideology and Epic Theatre in Santa Juana de América --
|g T.1981 (14/2)
|t Mexico's Willebaldo López on Stage / Analyses of Soluna and los viejos / The theatre of José Antonio Ramos / Maruxa Vilalta's Versatile Theatre / A Bibliographical Guide to Conjunto / An Interview with Enrique Buenaventura / Two Views of Egon Wolff's José --
|g T.1983 (16/2)
|t García Ponce's Catálogo razonado / Conjecture on Wolff's Flores de papel / Two Studies on Elena Garro / Dragún's Distancing Techniques / The loas of Sor Juana Inés / Interviews With Corrieri and Vargas --
|g T.1984 (17/2)
|t Fuentes' Orquídeas a la luz de lz luna / Ritual in las manos de Dios / Studies of Alonso Alegría and Vega Her
|
| 295 |
|
|
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°24/1
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°24/1
|o 792(051) REV LATIN AMERICAN REVIEW N°24/1
|7 1
|a DAC
|b DAC
|y CR
|h 1991(25/1)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°25/1
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°25/1
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°25/1
|7 1
|a DAC
|b DAC
|y CR
|h 1992(25/2)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°25/2
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°25/2
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°25/2
|7 1
|a DAC
|b DAC
|y CR
|h 1992(26/1)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°26/1
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°26/1
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°26/1
|7 1
|a DAC
|b DAC
|y CR
|h 1993(26/2)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°26/2
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°26/2
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°26/2
|7 1
|a DAC
|b DAC
|y CR
|h 1971(4/2)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°4/2
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°4/2
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°4/2
|7 1
|a DAC
|b DAC
|y CR
|h 1993(27/1)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°27/1
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°27/1
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°27/1
|7 1
|a DAC
|b DAC
|y CR
|h 1994(27/2)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°27/
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°27/
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°27/2
|7 1
|a DAC
|b DAC
|y CR
|h 1994(28/1)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°28/1
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°28/1
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°28/1
|7 1
|a DAC
|b DAC
|y CR
|h 1995(28/2)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°28/2
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°28/2
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°28/2
|7 1
|a DAC
|b DAC
|y CR
|h 1996(30/1)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°30/1
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°30/1
|o 792(051) REV LATIN AMERICAN THEATRE REVIEW N°30/1
|7 1
|a DAC
|b DAC
|y CR
|h 1997(30/2)
|i DAC-REV-LATINAMERICANTHEATREREVIEW-N°30/2
|p DAC-REV-LATINAMERICANTHEATREREVIEW-N°30/2
|o 792(051) REV LATIN AMERICAN
|
| 195 |
|
|
|g T.2002 (36/1)
|t Myrna Casas' El gran circo Eukraniano / The Convert Resistance of Carlos Manuel Varela / Woman as Corporal Subject in Mexican Theatre / Popular Culture and Politics in Juan Moreira / Recent Theatre in the North of Mexico / An Interview with Peruvian César de María --
|g T.2003 (36/2)
|t Women and Revolution in Vilalta's 1910 / Los tangos de Orfeo of Rodríguez Muñoz / Artaud in Cuba and Sephardic Masks / Malena Sándor's Challenge to Conventions / A Study of the First New World Opera / Restaging the Conquest of Michoacan / Indigenous Mexican Theatr in the 1920s --
|g T.2003 (37/1)
|t Representation of the Queer Body / Lucy Boscana on the Puerto Rican Stage / Ancient Rituals in Carballido's La hebra de oro / The Fishermen in two Chilean Plays / Apocalypsis in Beltran's El cofre de selenio / Gender Issues in Vacarezza's Sainetes / Simulacra and Theatre in Cristina Escofet / Ideology In Four Committed Authors --
|g T.2004 (38/1)
|t The Teatro de Iturbide: 1856-57 / Wolff's los invasores: A play Within a Dream / Pagador de Promessas: A Brazilian Morality / The Theatre of Julio Ortega / Toward an Usigli Bibliography (1931-1971) / Guerrilla Theatre with a Mexican Accent --
|g T.1972 (6/1)
|t Grimm Ingredients in Cocinando con Elisa / A new model for a National Theatre System / Colonial Theatre in Venezuela / Games in the Theatre of Flora Díaz Parrado / Mexico City Family Puppet theatre / A New Reading of Piñera's El flaco y el gordo / Ludic Labyrinths in a Tantanián Play --
|g T.2005 (38/2)
|t Biodramas from Argentina / Comparing Bridges of Gorostiza and Peveroni / Race, class and Language in Teatro bufo --
|g T.2005 (39/1)
|t El eterno femenino de Rosario Castellanos / Questioning the essence of Estas ahi by Daulte / --
|g T.2006 (39/2)
|t History and Identity in La pequeña Histroia de Chile / Space as trope in recent Argentine Theatre / -let justicie be Done tough the World may perish / --
|g T.2006 (40/1)
|t An Editorial Farewell / Resistance Theat
|
| 695 |
|
|
|g T.2003 (37/1)
|t Representation of the Queer Body / Lucy Boscana on the Puerto Rican Stage / Ancient Rituals in Carballido's La hebra de oro / The Fishermen in two Chilean Plays / Apocalypsis in Beltran's El cofre de selenio / Gender Issues in Vacarezza's Sainetes / Simulacra and Theatre in Cristina Escofet / Ideology In Four Committed Authors --
|g T.2004 (38/1)
|t The Teatro de Iturbide: 1856-57 / Wolff's los invasores: A play Within a Dream / Pagador de Promessas: A Brazilian Morality / The Theatre of Julio Ortega / Toward an Usigli Bibliography (1931-1971) / Guerrilla Theatre with a Mexican Accent --
|g T.1972 (6/1)
|t Grimm Ingredients in Cocinando con Elisa / A new model for a National Theatre System / Colonial Theatre in Venezuela / Games in the Theatre of Flora Díaz Parrado / Mexico City Family Puppet theatre / A New Reading of Piñera's El flaco y el gordo / Ludic Labyrinths in a Tantanián Play --
|g T.2005 (38/2)
|t Biodramas from Argentina / Comparing Bridges of Gorostiza and Peveroni / Race, class and Language in Teatro bufo --
|g T.2005 (39/1)
|t El eterno femenino de Rosario Castellanos / Questioning the essence of Estas ahi by Daulte / --
|g T.2006 (39/2)
|t History and Identity in La pequeña Histroia de Chile / Space as trope in recent Argentine Theatre / -let justicie be Done tough the World may perish / --
|g T.2006 (40/1)
|t An Editorial Farewell / Resistance Theatre of Plínio Marcos and Juan Radrigan / A family Portrait in a play by Marcelo Bertuccio / El Teatro Campesino adapted to Ecuador / An Analysis of Myrna Casas' este pais no existe / A Study on Translating Theatre / La culpa la tuvo el tranvía, a new play by Cristina Merelli --
|g T.2007 (40/2)
|t Tres Apendices de la Colección -- (Apendices1,2,3)
|t What´s New in Latin American Theatre and per
|
| 995 |
|
|
|g T.2003 (37/1)
|t Representation of the Queer Body / Lucy Boscana on the Puerto Rican Stage / Ancient Rituals in Carballido's La hebra de oro / The Fishermen in two Chilean Plays / Apocalypsis in Beltran's El cofre de selenio / Gender Issues in Vacarezza's Sainetes / Simulacra and Theatre in Cristina Escofet / Ideology In Four Committed Authors --
|g T.2004 (38/1)
|t The Teatro de Iturbide: 1856-57 / Wolff's los invasores: A play Within a Dream / Pagador de Promessas: A Brazilian Morality / The Theatre of Julio Ortega / Toward an Usigli Bibliography (1931-1971) / Guerrilla Theatre with a Mexican Accent --
|g T.1972 (6/1)
|t Grimm Ingredients in Cocinando con Elisa / A new model for a National Theatre System / Colonial Theatre in Venezuela / Games in the Theatre of Flora Díaz Parrado / Mexico City Family Puppet theatre / A New Reading of Piñera's El flaco y el gordo / Ludic Labyrinths in a Tantanián Play --
|g T.2005 (38/2)
|t Biodramas from Argentina / Comparing Bridges of Gorostiza and Peveroni / Race, class and Language in Teatro bufo --
|g T.2005 (39/1)
|t El eterno femenino de Rosario Castellanos / Questioning the essence of Estas ahi by Daulte / --
|g T.2006 (39/2)
|t History and Identity in La pequeña Histroia de Chile / Space as trope in recent Argentine Theatre / -let justicie be Done tough the World may perish / --
|g T.2006 (40/1)
|t An Editorial Farewell / Resistance Theatre of Plínio Marcos and Juan Radrigan / A family Portrait in a play by Marcelo Bertuccio / El Teatro Campesino adapted to Ecuador / An Analysis of Myrna Casas' este pais no existe / A Study on Translating Theatre / La culpa la tuvo el tranvía, a new play by Cristina Merelli --
|g T.2007 (40/2)
|t Tres Apendices de la Colección -- (Apendices1,2,3)
|t What´s New in Latin American Theatre and performance? --
|g T.2
|
| 195 |
|
|
|g T.2003 (37/1)
|t Representation of the Queer Body / Lucy Boscana on the Puerto Rican Stage / Ancient Rituals in Carballido's La hebra de oro / The Fishermen in two Chilean Plays / Apocalypsis in Beltran's El cofre de selenio / Gender Issues in Vacarezza's Sainetes / Simulacra and Theatre in Cristina Escofet / Ideology In Four Committed Authors --
|g T.2004 (38/1)
|t The Teatro de Iturbide: 1856-57 / Wolff's los invasores: A play Within a Dream / Pagador de Promessas: A Brazilian Morality / The Theatre of Julio Ortega / Toward an Usigli Bibliography (1931-1971) / Guerrilla Theatre with a Mexican Accent --
|g T.1972 (6/1)
|t Grimm Ingredients in Cocinando con Elisa / A new model for a National Theatre System / Colonial Theatre in Venezuela / Games in the Theatre of Flora Díaz Parrado / Mexico City Family Puppet theatre / A New Reading of Piñera's El flaco y el gordo / Ludic Labyrinths in a Tantanián Play --
|g T.2005 (38/2)
|t Biodramas from Argentina / Comparing Bridges of Gorostiza and Peveroni / Race, class and Language in Teatro bufo --
|g T.2005 (39/1)
|t El eterno femenino de Rosario Castellanos / Questioning the essence of Estas ahi by Daulte / --
|g T.2006 (39/2)
|t History and Identity in La pequeña Histroia de Chile / Space as trope in recent Argentine Theatre / -let justicie be Done tough the World may perish / --
|g T.2006 (40/1)
|t An Editorial Farewell / Resistance Theatre of Plínio Marcos and Juan Radrigan / A family Portrait in a play by Marcelo Bertuccio / El Teatro Campesino adapted to Ecuador / An Analysis of Myrna Casas' este pais no existe / A Study on Translating Theatre / La culpa la tuvo el tranvía, a new play by Cristina Merelli --
|g T.2007 (40/2)
|t Tres Apendices de la Colección -- (Apendices1,2,3)
|t What´s New in Latin American Theatre and performance? --
|g T.2011 (45/1)
|t Dialogues Witth Octavio
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|c 138857
|d 138857
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